Dance autumn
It’s autumn and Friday night, 21st October 1984 to be precise. In a few minutes it will be 7pm and opening night for the Swedish version of the “ghetto culture that is spreading across the world”.
With only two existing TV-channels it was easy for any teenager sitting on the couch to make a choice. In the youth- and music video show Bagen Freak Out, Swedish TV-viewers are getting to know a new generation of Swedish youth: the children of immigrant parents. It was the first time Swedish children with a different skin colour than white were shown on the TV-screen.
Bagen shows ballet, tango and the latest trend: Electic boogie and Breakdance. The program was hosted by Cia Berg from the band Ubangi and she presented the latest music from the top lists. Bagen was split into three sections: “Top videos”, “Freak out” and “Mini-rock concert”. Swedish state television (SVT) called the whole thing “Dance autumn”.
Ten episodes were shown during the autumn and winter and the season ended with a final where all the different types of dance competed against each other. Bagen was shown again the following year and the last episode aired in August 1985. That summer Hip Hop culture exploded. Everybody was dancing.
One evening, 33 years later, I was telling my two teenage sons about my first, tentative dance steps on one of the main streets in Stockholm in the early 1980s. I told them how we used to dance outside the lobby of the department store Åhléns on Drottninggatan near the entrance to underground, about how one of us would have been given the task of collecting a few appreciative coins in a cap, coins that would pay for burgers and vinyl records. Suddenly my youngest son asks: “Dad, were you a beggar?”
Our streets and squares are not unsafe, nor made up of beggars and criminals. On our streets we find an exuberant creativity that deserves to be noticed. In times like these, when identity and nationalism questions the multi-cultural, it is more important than ever to tell the story of a culture that is part of Swedish cultural heritage. It is on that basis and with that background that you get to take part of this story of Swedish Hip Hop history.
/Kenneth Seremet